

“Streamer” has been a widely-used entertainment-industry term for streaming companies for years. It’s not a new thing people are making up to be cute.
“Streamer” has been a widely-used entertainment-industry term for streaming companies for years. It’s not a new thing people are making up to be cute.
Not the person you’re replying to, but I’m also a “try the local cuisine” person. A good percentage of the places I’ve visited have had some local thing that you’d have to really look for to find elsewhere. I don’t end up liking all of them, but I like the experience of trying something new. Some specific examples:
In my experience, if you talk to a few locals, one of them will usually think of a local specialty and tell you where to try it.
Depends on where I’m going, whether I’ve been there before, and how long my trip is, but as a rule I’ll always seek out the local food and try to see a mix of famous big-name sights and weird niche things that interest me. For example, when I was in Tokyo last, I went to the top of Tokyo Tower at sunset (normal tourist sightseeing thing) and also went to see their underground flood-control tunnels.
I don’t enjoy “sit on a beach and do nothing” vacations, but more power to you if that’s your style.
lobste.rs is an interesting case study. On the one hand, it sucked to want to join and be unable to! I was in that boat for a while. And it is also disappointingly low-volume; it can be hard to get much of a discussion going just because the user base is so small.
On the other hand, when a discussion does get going, it has easily the highest signal:noise ratio of any technology message board I’ve ever participated in. Very few low-effort posts, and a high percentage of well-thought-out, respectful conversations.
I’m not saying I think lemm.ee should follow this model, but it’s not without its merits.
I haven’t run into too many bugs in the game, but in combat it’s frequent for the game to have to sit there for several seconds thinking about what an enemy should do next. Hope that’s one of the performance improvements they’re working on.
lemm.ee’s admin is Estonian, so that one at least makes sense.
Here’s some Apache-licensed code that addresses this exact problem. The language files are in CSV format and get turned into JS files as a build step. It prints warnings for strings that are missing from other languages. In dev environments, there’s middleware that watches for edits to the CSV files and rebuilds the JS files.
I’ve been under a few times but the most memorable (in one sense) was when I had some minor surgery as a kid. From my point of view, it was like teleportation: I was in the operating room, I blinked, and I was suddenly on a bed in a completely different room. No sense of the passage of time.
Totally fair! That doesn’t particularly bother me but you’re right that he does that.
My opinion of the second season is mostly thanks to the mini-movies being more creative. I also enjoy Ken Jeong and John Cho.
A bit off-topic, but why do people still insist on writing its name in all caps? That was the original name, granted, and you can still find it here and there in the tool, but it has been called “Jira” for years now.
Yes, and I even have it as an automatic scheduled payment so I don’t forget. Even with its flaws, it remains one of the shining gems of the Internet, and a resource I use frequently in both my professional life and my personal one. I remember how it was to suddenly want to learn more about a random topic before Wikipedia and I don’t want to go back.
I also donate to The Internet Archive.
My intuition is that it’s probably in about the same range as the broadcast networks, but I have no numbers to back that up.
I don’t think it can be significantly higher or lower: if the cancellation rate were significantly lower, “streaming services always cancel after one season” wouldn’t have caught on as a perception, and if it were significantly higher, it wouldn’t be as easy to find multi-season streaming shows as it currently is. But is it slightly higher or lower? I have no idea.
I actually did run some numbers on this at one point and found that the cancellation rate on network shows has ranged from 30-50% for the last 70 years, with the average number of seasons hovering just under 2. Reddit post with graphs and sources.
Running the same numbers for streaming services is trickier, and I couldn’t figure out a reliable way to get a good data set to analyze. But even so, the numbers for broadcast TV are high enough that it would be numerically impossible for streaming services to, say, be 3 times more likely to cancel a show after one season.
It is bizarre to me that people act like streaming services invented the concept of canceling series after just one season, or believe that it’s a new practice. Broadcast TV has regularly done exactly the same thing for its entire history. Streaming services almost always at least release all the episodes rather than leaving some of them unaired.
As I understand it, that’s been the Hollywood jargon for streaming services for years. “Variety” is responsible for a bunch of those kinds of words. They even have a dictionary on their website. It’s a bit out of date, but you can see they use “cabler” as shorthand for “cable channel,” for example.
No, just broadcast thinly-veiled resentment at them (in my experience having been the person with allergies in that situation).
O’Reilly books were my go-to when I worked at a company that had a training budget I had to spend every year. Not hard to rack up a couple hundred dollars of book purchases.
This does feel like a real improvement. Nicely done! In the unlikely event I’m introducing someone new to Star Wars in the future, I’ll be sure to point them at this edit instead of the whole series.
One thing that’s probably unavoidable given the source material but bugged me a bit is that because each of the original episodes had a climax, the edit doesn’t have a story structure where the tension builds up steadily to a peak; it kind of alternates between hitting the gas and hitting the brakes.
Also, minor nitpick: the miniseries was 6 episodes, but some of them were short so the runtime was more like 4.5 hours.
For me it’s kind of both. If a book has flat, boring characters, I can still enjoy it if it has interesting fake science and/or worldbuilding. And a book with iffy worldbuilding can still be a gripping read if the characters are done well. The best books have both. But they do need to have one or the other.
Using it to describe streaming services isn’t new. For example, here’s a Variety article from 2019 that uses it that way.